Oluce Acrilica Marble Table Light by Joe Colombo 1962 Ltd Ed
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SKU:281 MP
Design Joe Colombo, 1962
Joe Colombo‘s first project for Oluce, the only one worked on together with his brother Gianni. From then on, the two Colombo brothers clearly separated their fields: Joe left art in which he had shown interesting promise with “Nucleari”, while Gianni no longer worked in design, becoming one of the leading exponents of the kinetic, programmed movement.
The 281 model, created in 1962, was immediately nicknamed “Acrilica” due to its surprising conspicuousness and exception innovation of the significant curve made from acrylic.
Methacrylate, used for about a decade in the field of lighting, usually in thin sheets that are cut or thermoformed, found a very particular use here: its thickness and curve meant that, thanks to its conduction properties, the light from a fluorescent lamp contained within the painted steel base moved through the transparent body, eventually lighting the head in an incredible way. Due to this “magical movement”, “281” is more a work of kinetic art than a lamp.
Technical data: Table lamp giving indirect and diffused light, lacquered steel base and Perspex diffuser.
Award: In 1964, “Acrilica” won the gold medal at the XIII Triennial in Milan
Table lamp giving indirect and diffused light, portoro marble base and Perspex diffuser.
1 x max 4W (LED) 2700°K 570 lm CRI>85
Joe Colombo
Telling about Joe Colombo means telling the brief but intense parable of one of the greatest Italian designers, who died in 1971 at the young age of 41. It means telling about a life, as quick as lightning, of a man who strongly believed in the future and who gave us a very particular prefiguration of those fundamental 60s, when the future suddenly started to appear closer. Joe Colombo’s future was an anti-nostalgic future (he would not have recognised as ”future” the ’90s in which we live today), in which an intelligent technology would have helped every human activity, laying the foundations for completely new living models. At the time, Joe Colombo designed entire living cells. The first one was for Bayer, Visiona ’69, an integrated cell divided in ”functional stations”: the ”Night-Cell” block (bed+cupboards+bathroom), the ”Kitchen-Box” (kitchen+dining room), the ”Central-Living” (living room). These functional stations are articulated mapwise as well as sectionwise, just like the homes designed by Joe Colombo, where floors and ceilings go up and down, continuously accelerating and slowing down within the interior dynamism, where shelves hang from above and lights are deep-set in the floor. This is probably the best known vision of Joe Colombo’s future, which makes us smile today and talk about a science fiction utopia, but another one exists, one that has been subject to less analysis and which, unlike the former, proposes independent single elements, which condense functions and which are finished and ready to use.