Iittala Alder Trush Annual Glass Bird 2024
- Regular price
- £390.00
- Sale price
- £390.00
- Regular price
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SKU:1070572
Oiva Toikka created each Birds by Toikka glass bird in close cooperation with glassblowers, first at the Nuutajärvi glass factory and later at the Iittala glass factory.
A real bird inspires each of these birds, but they embody Toikka's inexhaustible imagination and artistic approach to glass. The bird of the year 2024, Alder Trush, has a classic bird shape with attractive brown, blue and green feather decorations.
The Bird of the Year is the perfect gift to commemorate the most important moments of the year or a unique addition to any collector's collection. Each bird is engraved with the year's mark. Available only until 2024.
Width210 mm / Length135 mm
Oiva Toikka
Professor Oiva Toikka (1931-2019) was one of the greatest names in Finnish glass. His imaginative, rich, bold glass art deviates from the streamlined aesthetic of Nordic design. Oiva Toikka was renowned worldwide for his unique and massive contribution to Finnish art glass over the past half century (the Birds Collection for Iittala is his best-known work, whose pieces are renewed annually and are highly sought after as gifts and collector’s pieces). He enjoyed an international career and received numerous awards, among them the Lunning Prize, Pro Finlandia Medal, World Glass Now 85 Award, Kaj Franck Design Prize and the Prince Eugen Medal. In addition to glass and ceramics, Toikka’s career covered many other areas, including stage costumes, drawings, and textiles. Starting from 2006 Toikka also begun a fruitful collaboration with Magis, resulting in three products made of rotational–moulded polyethylene (the rocking bird Dodo, the coat stand Paradise Tree and the shelving system Downtown) and a couple of serigraphs, called Moments of Ingenuity. Oiva Toikka was an artist of immense creative talent, vision and versatility, the creator of elaborate compositions and installations, all drawn by an impulsive imagination that seems to ignore boundaries and pay scant regard to aesthetic coherence.